Reading Radical Women

Give the gift of diversity

**UPDATE** All 12 original titles were donated within 24 hours of the first post—you all are amazing. I have added an additional four books below for those on the waiting list.

TLDR: Celebrate Women’s History Month by donating a book by a radical Renaissance woman to the British Institute of Florence Library.

I have just emerged from six weeks immersed in the stories of myriad brilliant women of the Italian Renaissance. Operating in a world steeped in male prerogative, these women created incredible things—paintings, cultural exchange networks, poetry, influential works of biting social commentary—yet their names remain unknown to most.

A guiding principle of my courses on these radical Renaissance women is to focus on what women did, not what men said. It isn’t always easy—their stories have primarily been written by men who often diminished their voices, making them faint and difficult to hear. There is an exception, however: the women writers of the early modern period, whose voices are strong and inspirational, proof of women’s ferocious intelligence and limitless determination.

In the mid-1990s, the University of Chicago Press began to publish in translation key texts by women writers of the European Renaissance. The series is called ‘The Other Voice in Early Modern Europe’ and features a number of texts by Italian women writing everything from treatises on gender equality and equal education, to religious history and devotional writing, philosophical and scientific tomes, and exciting works of imaginative literature (including memoir, fiction, and lyric and epic poetry). This type of textual recovery and translation allows us to hear the voices that were so often silenced.

In an effort to get these works—these voices—into the hands of those studying the Renaissance in Florence, I am launching a book drive for 12 titles from the series to be donated to the British Institute Library. Because the books are published by a university press, their cost is not insignificant, but their content is invaluable.

If you have the economic means, share my mission of diversity in scholarship, and proudly support libraries and local bookstores, please consider celebrating Women’s History Month by donating one of the following books (titles and summaries below) by a radical woman of the Italian Renaissance.

Orders can be made at the Paperback Exchange either in person or via email customerservice@papex.it. Please include the title of the book you would like to donate—they have a list to ensure that we don’t double up.

Each book will be labeled with the donor’s name and will contain my immense gratitude for the vital support!

Urania: A Romance, Giulia Bigolina - € 48.25

Edited and Translated by Valeria Finucci

Presented for the first time in a critical English edition, Urania: A Romance provides modern readers with a rare glimpse into the novel and novella forms at a time when narrative genres were not only being invented but, in the hands of women like Giulia Bigolina (1518?-1569?), used as vehicles for literary experimentation.
The first known prose romance written by a woman in Italian, Bigolina’s Urania centers on the monomaniacal love of a female character falling into melancholy when her beloved leaves her for a more beautiful woman. A tale that includes many of the conventions that would later become standards of the genre—cross-dressing, travel, epic skirmishes, and daring deeds—Urania also contains the earliest treatise on the worth of women.

Also included in this volume, the novella Giulia Camposampiero is the only extant part of a probable longer narrative written in the style of the Decameron. While employing some of those same gender and role reversals as Urania, including the privileging of heroic constancy in both men and women, it chronicles the tribulations that a couple undergoes until their secret marriage is publicly recognized. To order: customerservice@papex.it

Life and Death in a Venetian Convent: The Chronicle and Necrology of Corpus Domini, 1395-1436, Sister Bartolomea Riccoboni - € 41,75 DONATED

Edited and Translated by Daniel Bornstein

These works by Sister Bartolomea Riccoboni offer an intimate portrait of the women who inhabited the Venetian convent of Corpus Domini, where they shared a religious life bounded physically by the convent wall and organized temporally by the rhythms of work and worship. At the same time, they show how this cloistered community vibrated with news of the great ecclesiastical events of the day, such as the Great Western Schism and the Council of Constance.

While the chronicle recounts the history of the nuns’ collective life, the necrology provides highly individualized biographies of nearly fifty women who died in the convent between 1395 and 1436. We follow the fascinating stories that led these women, from adolescent girls to elderly widows, to join the convent; and we learn of their cultural backgrounds and intellectual accomplishments, their ascetic practices and mystical visions, their charity and devotion to each other and their fortitude in the face of illness and death.

The personal and social meaning of religious devotion comes alive in these texts, the first of their kind to be translated into English. To order: customerservice@papex.it

Autobiography of an Aspiring Saint, Cecilia Ferrazzi - € 23,50 DONATED

Edited and Translated by Anne Jacobson Schutte

Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi’s unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear ’another voice’—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage.
Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents’ death in the plague of 1630 made it financially impossible for her to enter the convent, she refused to marry and as a single laywoman set out in pursuit of holiness. Eventually she improvised a vocation: running houses of refuge for “girls in danger,” young women at risk of being lured into prostitution.

Ferrazzi’s frequent visions persuaded her, as well as some clerics and acquaintances among the Venetian elite, that she was on the right track. The socially valuable service she was providing enhanced this impression. Not everyone, however, was convinced that she was a genuine favorite of God. In 1664 she was denounced to the Inquisition.
The Inquisition convicted Ferrazzi of the pretense of sanctity. Yet her autobiographical act permits us to see in vivid detail both the opportunities and the obstacles presented to seventeenth-century women. To order: customerservice@papex.it

Floridoro: A Chivalric Romance, Moderata Fonte - € 54.50 DONATED

Translated by Julia Kisacky, Annotated by Valeria Finucci and Julia Kisacky

The first original chivalric poem written by an Italian woman, Floridoro imbues a strong feminist ethos into a hypermasculine genre. Dotted with the usual characteristics—dark forests, illusory palaces, enchanted islands, seductive sorceresses—Floridoro is the story of the two greatest knights of a bygone age: the handsome Floridoro, who risks everything for love, and the beautiful Risamante, who helps women in distress while on a quest for her inheritance. Throughout, Moderata Fonte (1555–92) vehemently defends women’s capacity to rival male prowess in traditionally male-dominated spheres. And her open criticism of women’s lack of education is echoed in the plights of various female characters who must depend on unreliable men.

First published in 1581, Floridoro remains a vivacious and inventive narrative by a singular poet. To order: customerservice@papex.it

Poems and Selected Letters, Veronica Franco - € 41.75 DONATED

Edited and Translated by Ann Rosalind Jones and Margaret F. Rosenthal

Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology.

As an “honored courtesan”, Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast “virtue” as “intellectual integrity,” offering wit and refinement in return for patronage and a place in public life.

Franco became a writer by allying herself with distinguished men at the center of her city’s culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier’s protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier.

Franco’s insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today. To order: customerservice@papex.it

Sonnets for Michelangelo – A Bilingual Edition, Vittoria Colonna - € 51.50 DONATED

Edited and Translated by Abigail Brundin

The most published and lauded woman writer of early sixteenth-century Italy, Vittoria Colonna (1490–1547) in effect defined what was the “acceptable” face of female authorship for her time. Hailed by the generation’s leading male literati as an equal, she was praised both for her impeccable command of Petrarchan style and for the unimpeachable chastity and piety of the persona she promoted through her literary works.

This book presents for the very first time a body of Colonna’s verse that reveals much about her poetic aims and outlook, while also casting new light on one of the most famous friendships of the age. Sonnets for Michelangelo, originally presented in manuscript form to her close friend Michelangelo Buonarroti as a personal gift, illustrates the striking beauty and originality of Colonna’s mature lyric voice and distinguishes her as a poetic innovator who would be widely imitated by female writers in Italy and Europe in the sixteenth century. After three centuries of relative neglect, this new edition promises to restore Colonna to her rightful place at the forefront of female cultural production in the Renaissance. To order: customerservice@papex.it

Jewish Poet and Intellectual in Seventeenth-Century Venice, Sara Copia Sulam - € 66.75 DONATED

Edited and Translated by Don Harràn

The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon.

For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, a Manifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time. To order: customerservice@papex.it

Sacred Narratives, Lucrezia Tornabuoni de' Medici - € 51.50 DONATED

Edited and Translated by Jane Tylus

The most prominent woman in Renaissance Florence, Lucrezia Tornabuoni de’ Medici (1425-1482) lived during her city’s golden age. Wife of Piero de’ Medici and mother of Lorenzo the Magnificent, Tornabuoni exerted considerable influence on Florence’s political and social affairs. She was also, as this volume illustrates, a gifted and prolific poet.

This is the first major collection in any language of her extensive body of religious poems. Ranging from gentle lyrics on the Nativity to moving dialogues between a crucified Christ and the weeping sinner who kneels before him, the nine laudi (poems of praise) included here are among the few such poems known to have been written by a woman. Tornabuoni’s five storie sacre, narrative poems based on the lives of biblical figures-three of whom, Judith, Susanna, and Esther, are Old Testament heroines-are virtually unique in their range and expressiveness. Together with Jane Tylus’s substantial introduction, these poems offer us both a fascinating portrait of a highly educated and creative woman and a lively sense of cultural and social life in Renaissance Florence. To order: customerservice@papex.it

Florentine Drama for Convent and Festival: Seven Sacred Plays, Antonia Pulci - € 44.95 DONATED

Translated by James Wyatt Cook, Edited by James Wyatt Cook and Barbara Collier Cook

A talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni—one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci’s plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci’s female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci’s heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers.

Available in English for the first time, this volume recovers the long-muted voice of an early and important female Italian poet and playwright. To order: customerservice@papex.it

Laura Battiferra and Her Literary Circle: A Bilingual Edition, Laura Battiferra degli Ammannati- € 54.50 DONATED

Edited and Translated by Victoria Kirkham

Internationally known during her lifetime, Laura Battiferra (1523-89) was a gifted and prolific poet in Renaissance Florence. The author of nearly 400 sonnets remarkable for their subtlety, intricate narrative structure, and learned allusions, Battiferra, who was married to the prominent sculptor and architect Bartolomeo Ammannati, traversed an elite literary and artistic network, circulating her verse in a complex and intellectually fecund exchange with some of the most illustrious figures in Italian history. In this bilingual anthology, Victoria Kirkham gathers Battiferra’s most essential writing, including newly discovered poems, which provide modern readers with a valuable social chronicle of sixteenth-century Italy and the courtly culture of the Counter-Reformation. To order: customerservice@papex.it

The Complete Poems: The 1554 Edition of the "Rime," a Bilingual Edition, Gaspara Stampa - € 66.75 DONATED

Translated by Jane Tylus, Edited by Troy Tower and Jane Tylus

Gaspara Stampa (1523?-1554) is one of the finest female poets ever to write in Italian. Although she was lauded for her singing during her lifetime, her success and critical reputation as a poet emerged only after her verse was republished in the early eighteenth century. Her poetry runs the gamut of human emotion, ranging from ecstasy over a consummated love affair to despair at its end. While these tormented works and their multiple male addressees have led to speculation that Stampa may have been one of Venice’s famous courtesans, they can also be read as a rebuttal of typical assumptions about women’s roles. Championed by Rainer Maria Rilke, among others, she has more recently been celebrated by feminist scholars for her distinctive and original voice and her challenge to convention.

The first complete translation of Stampa into English, this volume collects all of her passionate and lyrical verse. It is also the first modern critical edition of her poems, and in restoring the original sequence of the 1554 text, it allows readers the opportunity to encounter Stampa as she intended. Jane Tylus renders Stampa’s verse in precise and graceful English translations, allowing a new generation of students and scholars of poetry, Renaissance literature, and music history to rediscover this incipiently modern Italian poet. To order: customerservice@papex.it

Paternal Tyranny, Arcangela Tarabotti - € 48.25 DONATED

Edited and Translated by Letizia Panizza

Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.

Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men’s equals in God’s eyes.

An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard. To order: customerservice@papex.it

The Nobility and Excellence of Women and the Defects and Vices of Men, Lucrezia Marinella - € 41.75 DONATED

Edited and Translated by Anne Dunhill

A gifted poet, a women’s rights activist, and an expert on moral and natural philosophy, Lucrezia Marinella (1571-1653) was known throughout Italy as the leading female intellectual of her age. Born into a family of Venetian physicians, she was encouraged to study, and, fortunately, she did not share the fate of many of her female contemporaries, who were forced to join convents or were pressured to marry early. Marinella enjoyed a long literary career, writing mainly religious, epic, and pastoral poetry, and biographies of famous women in both verse and prose.

Marinella’s masterpiece, The Nobility and Excellence of Women, and the Defects and Vices of Men was first published in 1600, composed at a furious pace in answer to Giuseppe Passi’s diatribe about women’s alleged defects. This polemic displays Marinella’s vast knowledge of the Italian poetic tradition and demonstrates her ability to argue against authors of the misogynist tradition from Boccaccio to Torquato Tasso. Trying to effect real social change, Marinella argued that morally, intellectually, and in many other ways, women are superior to men. To order: customerservice@papex.it

Selected Poetry and Prose: A Bilingual Edition, Chiara Matraini - €55.95 DONATED

Edited and Translated by Elaine Maclachlan

Chiara Matraini (1515–1604?) was a member of the great flowering of poetic imitators and innovators in the Italian literary heritage begun by Petrarch, cultivated later by the lyric poet Pietro Bembo, and supplanted by the epic poet Torquato Tasso. Though without formal training, Matraini excelled in a number of literary genres popular at the time—poetry, religious meditation, discourse, and dialogue. In her midlife, she published a collection of erotic love poetry, but later in life her work shifted toward a search for spiritual salvation. Near the end of her life, she published a new poetry retrospective.

Mostly available in only a handful of rare book collections, her writings are now adeptly translated here for an English-speaking audience and situated historically in an introduction by noted Matraini expert Giovanna Rabitti. Selected Poetry and Prose allows the poet to finally take her place as one of the seminal authors of the Renaissance, next to her contemporaries Vittoria Colonna and Laura Battiferra, also published in the Other Voice series. To order: customerservice@papex.it

Complete Writings: Letterbook, Dialogue on Adam and Eve, Orations, Isotta Nogarola - € 54.50 DONATED

Edited and translated by Margaret L. King and Diana Robin

Renowned in her day for her scholarship and eloquence, Isotta Nogarola (1418-66) remained one of the most famous women of the Italian Renaissance for centuries after her death. And because she was one of the first women to carve out a place for herself in the male-dominated republic of letters, Nogarola served as a crucial role model for generations of aspiring female artists and writers.

This volume presents English translations of all of Nogarola’s extant works and highlights just how daring and original her convictions were. In her letters and orations, Nogarola elegantly synthesized Greco-Roman thought with biblical teachings. And striding across the stage in public, she lectured the Veronese citizenry on everything from history and religion to politics and morality. But the most influential of Nogarola’s works was a performance piece, Dialogue on Adam and Eve, in which she discussed the relative sinfulness of Adam and Eve—thereby opening up a centuries-long debate in Europe on gender and the nature of woman and establishing herself as an important figure in Western intellectual history. This book will be a must read for teachers and students of Women’s Studies as well as of Renaissance literature and history. To order: customerservice@papex.it

The Contest for Knowledge: Debates over Women's Learning in Eighteenth-Century Italy, Maria Gaetana Agnesi - € 44.95 DONATED

Edited and Translated by Rebecca Messbarger and Paula Findlen

At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de’ Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse.

The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy. To order: customerservice@papex.it